Chapter 27 provides the most in depth view of Harry Houdini. On page 197, Doctorow shows Houdini only a few months after his mothers death. Houdini goes to her grave in Queens every morning. He "looked up with the swollen and laughable face of grief". Doctorow describes Houdini's suffering by saying "his mother had been dead for some months but every morning he awoke with his wound as fresh and painful is if she had died the night before". During this low point in Houdini's life, Houdini is described to look anything but the "magician of international fame." He hasn't shaved for months and has cancelled several bookings. In the second paragraph on page 198, Doctorow hints that Houdini is Jewish as he leaves small stones at his mothers grave. We get the sense that Houdini may even be suffering from depression when Doctorow says "He knew what it was to be sealed in the earth but he felt now it was the only place for him". All these factors make Houdini seem less mysterious and more realistic.
Houdini's entire life seems to be shaped by his mother's death. Doctorrow claims Houdini putt her pictures up in his house everywhere, dreamed about her, played the music she listened to every evening, read the letters she wrote regularly. Even his career as a magician seems to change. He decides to see if it is really possible to communicate with the dead.Houdini doesn't seem like an arrogant performer in any stretch of the imagination. His tricks and stunts are impressive but he genuinely seems like a normal guy with feelings, emotions, dreams and ambitions as well. Houdini for example became interested in the idea of life after death and vowed he would discover it. He bought books and began to study mechanical physics.
I'm no expert on Houdini, but my general sense is that Doctorow is working pretty closely with his biographical record here--the trip to Europe, his mother's poor health as he left, the fact that she died while he was overseas, and, most compellingly, the way her death inspired this feverish urge to try and transcend death and communicate with the dead. You're right that we get a "human" dimension here beyond his theatrical performance, but I like how closely related the performance and the "real" Houdini are here: the desire to perform "escapes" is tied to a real (and, in this novel, futile) desire to escape from the bounds of ordinary life. There are limits to the self-reinvention Doctorow represents throughout the novel.
ReplyDeleteAlso the stuff about Edison and his paranormal interests, which are intimately connected to his 20th-century-defining inventions, is fascinating to contemplate, and also historically based.